When
The agreement was supposed to be Bob Iger’s final signature moment, proof that Hollywood’s most powerful IP holder could license its characters to AI on its own conditions rather than have them scraped without permission. Instead, OpenAI shut down Sora with barely an hour’s notice to Disney, no money had changed hands, and new CEO Josh D’Amaro inherited the fallout six days into the job.
So, what will Disney’s next move be under the D’Amaro regime? In a statement after the shutdown, Disney
Disney Could Double Down on Epic Games and Fortnite
Reportedly, D’Amaro “
The Sora deal was about fan-generated AI video on a third-party platform Disney did not own or control. The Epic deal is about Disney investing in the destination: a persistent, interactive world where fans create and experience Disney IP in an environment Disney helps build and govern. D’Amaro may not need a new AI video deal at all. He may already have the platform he needs.
Other Options Range from Runway to Pulling Back
Google Veo
Runway
Runway has no existing legal conflict with Disney and leads quality benchmarks. It does not have Google’s scale or infrastructure, meaning Disney would be licensing IP to a smaller platform rather than embedding itself in a dominant ecosystem. For a company built around reach and brand ubiquity, that is a real tradeoff.
Luma AI
Luma AI’s Dream Machine platform is built on its Ray3 model, which Luma calls the world’s first reasoning video model capable of generating physically accurate video and animation. Luma’s models are already used by leading entertainment studios and technology partners including Adobe and AWS, and it is backed by Andreessen Horowitz, NVIDIA, Amazon, and AMD Ventures.
Unlike Google, Luma has no legal conflict with Disney. Unlike Runway, it has been actively cultivating Hollywood relationships since opening Dream Lab LA in mid-2025, a Los Angeles initiative specifically designed to embed its technology in studio workflows. If Disney wants a partner with serious technology, entertainment credibility, and none of the political baggage, Luma is the cleaner option that has been hiding in plain sight.
Explore ByteDance’s Seedance 2.0
A ByteDance option is low probability but not zero.
The Less Likely Paths
There are two other scenarios, however unlikely: building an internal capability and simply pulling back.
Building an internal AI video capability is blocked by cost, infrastructure, and the labor confrontation it would trigger with SAG-AFTRA, the Directors Guild, and the WGA. The Epic relationship already delivers much of what an internal build was supposed to provide. A full retreat from AI video is equally unlikely given Disney’s public statement, and D’Amaro’s enthusiasm for Epic makes clear he is not opposed to fans interacting with Disney IP at scale. He is opposed to ceding control of it.
What Disney’s Story Tells Us About Hollywood and AI Video
Every major studio has been running the same contradictory playbook: sue the AI platforms that use your IP without permission, then quietly explore whether you can do a deal with one of them on better terms. Warner Bros., NBCUniversal, and Paramount
The deeper problem is that none of the foundational legal questions have been settled. Courts have not ruled definitively on whether training AI models on copyrighted content constitutes infringement. They have not ruled on whether AI-generated output featuring copyrighted characters is an unlawful derivative work. Every deal a studio signs with any AI video platform sits on top of that unresolved legal bedrock. The Sora deal did not solve those questions. It sidestepped them. And when the agreement collapsed, the questions remained.
Google’s Veo, Runway, and ByteDance’s Seedance 2.0 are all advancing rapidly, with or without Hollywood’s cooperation. The studios can litigate, negotiate, or ignore what is happening. What they cannot do is stop it.
Whatever path D’Amaro chooses, his public statements are telling. At Disney’s 2026 shareholders meeting he said, “At Disney, creativity is always led by people — that will always be the case. Our goal with AI is to empower human creativity and not replace it. We want to give artists and filmmakers and designers better tools so that they can focus on what they do best.”
That is not the language of a company planning to generate movies with AI. It is the language of a company planning to use AI to extend the commercial reach of IP it has already built, putting its characters in more hands, more platforms, and more experiences without replacing the human creativity that made those characters worth anything in the first place.
Either way, the end credits are not rolling on AI video. The only open question is who gets final cut, on whose terms, and whether Hollywood figures that out before the technology does it for them.
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